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Backing: Ed Anderson

Archive for February, 2012

Backing: Ed Anderson


Call it an “eye” call it a “style” call it whatever, but each artist produces work that is as individual as their own fingerprint.  Ed Anderson is one of several local artists inspired by all things Idaho.


Even when applied to the same subject matter (in this case fish) the interpretations created on canvas, paper, board, or acrylic are all unique and relatively priceless.

It’s not hard to see that the places Ed has traveled throughout Idaho have left their mark in his mind. Here, Payette Lake near McCall stretches over paper.

The scale of work is often not recognized in photographs. Currently, Ed’s work is on display at the Linen Building in Boise through 4-19-12. Well worth a stroll.

Sign the guestbook while you are there.

Idaho steelhead are iconic for their record setting journey to our high country interior.

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Fish Handles Part 4 “Pushing Buttons”

Hands full. Practice shooting and changing settings with one hand.

Click here to view parts 1-3 in this series on handling of catch & release fish.

Simple “point & shoot” digital cameras today are so good it’s amazing. From picture quality and incredibly versatile and capable auto lenses, to vast creative pre-settings, functions and features. The performance and capabilities of todays mid-priced ($500 and less) cameras is flat impressive. Here are a few tips for getting the most out of your opportunities to photograph your catch.

First off, take time in advance to play around with your camera and it’s various settings and creative functions. Take a series of test photos of any given subject, and make changes to your settings for each image. Take note of the conditions, such as direct light or back-lit, natural or indoor light, flash and no flash, manual or auto focus, etc. Don’t be afraid to take a bunch of lousy photos in the process, this is going to happen, and the important thing is to try to gain understanding of what settings you are using and producing various results.

Building blocks for the exposure (brightness) of an image come down to only a few simple settings. The size of the opening, measured in numbers beginning with “f”, the amount of time of the exposure usually shown as a fraction “1/32″ for example, and ISO which is the sensitivity of the camera sensor (usually a number bwtween 80-3200). Now various “auto” settings (A, Av, TV, etc) of most cameras will give you flexibility of one of those elements, while making the needed adjustments to the other components depending on what you are asking the camera to do and what the camera sees as necessary to compose the shot. This conversation can go on for pages, but point being, just try and get a grip on how those three things work together for your net results. Take notes along with your test photos, and write down the settings and results you see in each resulting image.

Formula: Macro setting, ISO 100, f/2.7, 1/640

Here are a few things I like to do for creative and interesting shots of fish.

First, get very close to the fish. Note how close the camera is to the fish in the top photo, and see the results in the photo above. Most cameras have a Macro setting, usually indicated by a flower icon. This is a terrific setting for fish, as it allows a maxium wide angle field of view, and adjusts the  focus to work inside very close quarters. Try it out, you will be amazed!

Settings are key and vary greatly, but here are some that work well for me:

First, go for the largest lens opening possible. This will actually be the lowest “f” number, likely 2.something. This will allow for max light and a tight focus range. Adjust your ISO to the lowest number you have. This will create a low-noise darker image, somewhat off-setting the brightness of the large lens (f) opening. Now with two of the three settings covered, adjust the time of exposure to get the brightness dialed-in with the amount of light in the scene you are shooting. As exposure gets longer, you’ll need to be ultra careful to keep the camera still. Some shots that appear out of focus, may actually be in focus, but movement during the exposure caused a blurred image.

Beyond the “proper” settings of photography, don’t be afraid to get creative! Play around with under exposing a shot, then add in flash to get a whole new look and feel. Play with white balance to get ultra accurate colors, and try long exposures for motion blur or low light capture on a tripod. Affordable cameras are out there waiting, and you may be the next person to pick one up and discover a whole new passion you never knew you had. Thats exactly what happened to me!

 

Bryan Huskey heads media and marketing here at Silver Creek Outfitters. If you’d like to see more of his photography, visit his site here.

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Backing: The Fly Fishing Film Tour

Warren Miller was (and still is) a pioneer, and arguably one of the best. By developing and evolving outdoor sports filmmaking and touring those films around the country, Miller shared incredible skiing experiences with the masses. The release of a Warren Miller ski film and the arrival of the show tour to local theaters around the country became anticipated events for ski enthusiasts around the country. In Fact, Miller set fourth on his ski film dynasty from right here in Sun Valley.

The WM tour continues to visit Sun Valley ever year, but next week another tour will be visiting the Sun Valley Opera House for the first time. Feb 23rd, the Fly Fishing Film Tour (F3T) is coming to town, and they bring part of the the WM model with them. Each year the F3T assembles ten or so of the years best films in fly fishing, and takes their show on the road. Warren Miller style… and for a good reason.

WM is in the bones of the F3T. A few years back, the head of production Chris Keig and general manager Doug Powell of WM Entertainment left the company, and paired with Drake Magazine frontman Tom Bie to form the F3T. Doug Powell explains it eloquently “Basically one day Keig and I realized we loved fly fishing more than skiing…” and through a network of people in the Fly industry they teamed with Tom Bie and took over ownership of the pre-existing and now defunct AEG film tour. Original member and founder of the AEG (Angler Exploration Group) film tour Thad Robison maintained the vision and passion for a successful fly tour, and quickly became integral in meshing the newly formed team.  Via a combination of their respective experience in both ski and fly fishing industries and culture, commitment to the sport, and strong ties and relationships with outdoor filmmakers, the four partners created an the event that has become fly fishing’s marquee presence on big screens around North America. The tour stops at over 120 theatre venues around the US and Canada, with ticket sales exceeding 1,000 at recent venues.

Catch the F3T here in Idaho Feb 22nd in Boise, Feb 23rd in Sun Valley, April 20th in both Sand Point and Idaho Falls. An extended version of our own feature “Doc of the Drakes” has been deemed the audience favorite in shows thus far, so mark your calendars to catch the event near you!

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Old Man Winter

Where the hell are ya?!

After several back-to-back years of generous snowpack levels and plenty of cool clear water, Idaho and much of the West and Northern Rockies are having their “water year rug” yanked out from under them. Granted, the La Nina trend of recent years has seemed to push winter conditions down the calendar a bit. Seems the majority of precipitation has been falling into March and April, even May last year. Are we going to be bailed out again this year? A big 4th quarter Tebow score to bring our snowpacks up to parr? For the sake of rivers, fish, wildlife and irrigators… lets hope so!

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Unlock Efficiency

Whether you’re fishing up-stream presentation with a delicate dry fly, mixed-presentation of a double-nymph rig, or downstream swinging, there is one important standard to consider to maximize you’re efficiency. Often overlooked are those fish that hold in the fringes of areas many anglers concentrate on, so to increase your efficiency, be sure to cover all the water.

Start short. It’s so easy to glance at a piece of water and identify the prime juicy zone where the fish most likely hold. Often we strip out gobs of line, and walk or float right up to the edge of that area and begin casting. We may spend a considerable amount of time repeating a presentation right down the middle, or the “Guts” of a section of water. Over and over, repeating more or less the same cast, through the same drift give or take a few feet.

I like to think of it this way. Chances are pretty good if your fly selection and presentation are remotely acceptable, a fish will eat it the first time it sees it. After the first viewing I think the odds of a fish eating your fly drop off significantly. Lets say the section of water warrants x amount of time and x number of casts. Rather than beginning with the first cast through the “red zone” and subsequent casts repeating the same, I like to start close and short and evenly distribute my casts throughout the entire area. Countless fish holding in the fringes of prime water are spooked by anglers approaching too close to begin with, and or by their fly line passing over them en route to the middle of the prime water. Especially when feeding on dries, a sizable number of fish will hold in surprisingly shallow riffle water that many anglers would naturally walk through but never even consider fishing first.

Hit the pockets, the nooks and crannies. As the prime water is covered and fished, push your cast and or move to get the far perimeters as well as the upper and lower reaches. So many fish move around and can end up in the fringes, especially if you’ve hooked a fish or two in the process, and the commotion caused by playing and landing the fish may push others into some of those outlying zones. By covering more “new” water with your fly and fewer repeated drifts you will effectively increase your efficiency, and discover catchable fish holding in areas you may have never before considered.

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